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supported by 19 fans who also own “All the Floors are Darkness”
Something of a meditative flow that feels more important than whatever he is playing at a given moment. Occasional monolithic phrases and delicate shaping of feedback sculpt time.
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supported by 15 fans who also own “All the Floors are Darkness”
Awesomely nuanced stuff.
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supported by 15 fans who also own “All the Floors are Darkness”
An incredible Artist, Noveller paints with sounds using pedals and settings as colours and Brushes and the guitar as the Canvas. Arrow is a wonderful journey every single track takes you somewhere.
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I was too young to hear silence
by Patrick Shiroishi
Free jazz saxophonist explores negative space on a vast, improvised work recorded in a L.A. parking structure.
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The Shenanigans-to-Tomfoolery Continuum
by Bridges of Königsberg
This experimental release from Bridges of Königsberg is electroacoustic noise at its most playful and expansive.
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Echo Lab Sessions Vol. 1 & 2
by Violent Squid
This double tape from Violent Squid showcases a dizzying array of sounds, including sci-fi analog synths & dazzling guitar instrumentals.
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Artlessly Falling
by Mary Halvorson's Code Girl
supported by 13 fans who also own “All the Floors are Darkness”
Mary Halvorson is a genius composer and guitarist who has developed her own musical language, and with Code Girl she has incorporated poetry into that language. Incredible compositions and lyricism (each track is a different kind of poem). Halvorson's playing is as great as usual, and all the other members of the band sound great. Robert Wyatt's singing in particular works extremely well in the tracks he's featured. Highly, highly recommend.
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